Boys and Girls Like You and Me

Rodgers & HammersteinCinderella

After overhearing her son and her husband take special consideration for her, the Queen lovingly embraces the King. Together, they sing a song sweetly remarking on their long-lasting love for one another. Rodgers and Hammerstein wrote “Boys and Girls Like You and Me” for their first musical, Oklahoma!, but the song was cut during the show’s Boston tryout.

In My Own Little Corner

Rodgers & HammersteinCinderella

Left alone to her chores, Cinderella finds comfort and contentment through the power of her imagination.

The Prince is Giving a Ball

Rodgers & HammersteinCinderella

The bustling village square of the kingdom is interrupted by a rousing announcement from a palace herald: In honor of the Prince’s birthday, the King and Queen are hosting a ball for the whole kingdom, where the Prince hopes to meet his future bride. Rodgers & Hammerstein’s playful ensemble number was easily adapted to the medium of television; the original … Read More

Me, Who Am I?

Rodgers & HammersteinCinderella

As Prince of the Kingdom, Topher faces his future as king with uncertainty. Originally written for Me and Juliet, but cut during previews, “Me, Who Am I?” was repurposed for the 2013 Broadway production of Rodgers + Hammerstein’s Cinderella.

Prologue

Rodgers & HammersteinCinderella

As Ella forages for firewood in a dewy forest, she wishes that the world could be as lovely as it looks. (From the 2013 Broadway production of Rodgers + Hammerstein’s Cinderella.)

Shall We Dance?

Rodgers & HammersteinThe King and I

After pulling off a successful dinner for the visiting English, Anna and the King share a celebratory moment. As she describes a woman’s perspective at a dance, he observes carefully, and they gingerly attempt to dance together. Soon, they cast off all inhibition and sweep the dance floor in a gloriously unbridled polka.

The Small House of Uncle Thomas Ballet

Rodgers & HammersteinThe King and I

Tuptim presents a balletic retelling of Uncle Tom’s Cabin to the King and his guests. Originally choreographed by Jerome Robbins in a unique combination of ballet and Asian-inspired movement, the dance tells the story of Eliza, a slave who receives divine help to escape a tyrannical King. Robbins’ work remains in productions of the show, to the music arranged by … Read More

I Have Dreamed

Rodgers & HammersteinThe King and I

Lun Tha and Tuptim, planning to leave Siam that night, look forward to their future together.

Western People Funny

Rodgers & HammersteinThe King and I

Preparing for the arrival of British dignitaries, the palace women wear uncomfortable European clothing and comment on the absurdity of Western customs.

Something Wonderful

Rodgers & HammersteinThe King and I

In an appeal to Anna, Lady Thiang explains the complexity of her relationship with the King.

A Puzzlement (Reprise)

Rodgers & HammersteinThe King and I

The Prince and Louis share the observation that adults sometimes speak with certainty about things of which they are uncertain.

We Kiss in a Shadow

Rodgers & HammersteinThe King and I

Lun Tha and Tuptim, reunited in secret, dream of a world where they can be together in the sunlight.

Getting to Know You

Rodgers & HammersteinThe King and I

Anna, adapted to her new role as teacher, bonds with her students, taking delight in the sharing of customs. This song was added during the original production’s out-of-town tryout. Several people, among them Joshua Logan and Mary Martin, felt Anna needed a moment to connect with the children. Pulling a discarded melody from South Pacific (“Suddenly Lucky”), Rodgers & Hammerstein … Read More